SAYEH'S LIVING B-SIDES! 11 Feb 2015
What you need: Wristbands (for your ankles)! Gloves!
Props: Thinny bands (the ones that Velcro around your ankles).
Clothing Considerations: Long pants make the ankle bands more comfortable.
Sweat Factor: Very light sheen. You can go to happy hour after or get away with not showering before work.
When I think of B-sides, I think of the white cassette tapes I purchased in the early '90s when my favorite group would release their newest single. My favorite song was on the A-side and often a not so great song, or an instrumental version of the A-side song would show up on the B-side. I'd usually give the B-side a quick chance, but quickly eject, flip the tape over and listen and rewind and listen and rewind the A-side. More music savvy consumers than I, collect records, the home of the original A and B-side, and there's much debate among collectors about the greatest B-sides of all time. Songs that may have been even better than the A-side that sold the album in the first place.
I must say that Lithe's B-sides was a mix of this A-side vs B-side question for me. A mix of OH MAN THIS COULD BE A CLASSIC with a little WHAT THE...! I can start by saying if you like Thinny (which I love), I think you'll really enjoy B-Sides. It's grounded for most of the class, like Thinny is, and the bands are around your ankles like they are in Thinny. However, I think the comparisons really end there. B-sides is like a mix of A-List Abs, Waspie, and Stems. Just sculpt city USA.The thing that makes B-Sides a little bit discombobulating is how different it is than those classes too.
Because in addition to the Thinny bands around the ankles, you grab the same bands with your hands too. Not additional bands hanging from the ceiling. You grab the bands that are around your ankles, find a place where you have a little slack and pull them towards you. This resistance is a monster. You have to really engage your core to keep your feet on the ground as you pull them away from you with arms. This is where the discombobulation occurs at first.
This is a class where you really need to listen to the cues your first few times. If you're a newbie, get to class early (especially at Rittenhouse) and get a mat with a good view of the instructor. Bari was my guide, and her cues were incredibly important. She explained what to do, and more importantly what NOT to do so that you don't accidentally strain your neck or something else as you wobble around at first.
The other key to this class is PLACEMENT. Placement of yourself right under the bracket in the ceiling where the bands are coming from makes a huge difference. A fellow Lither saw me struggling and encouraged me to scoot my tuckus right underneath the bracket and VOILA, I was a pro! (Kinda.) The next placement to be mindful of? Where you place your hands along the bands. Where you grab the bands will need to change depending on the move. Sometimes you'll need more slack, sometimes less. Listen to cues and remember to move your hands around consistently. This is especially important when doing the standing vertical band work (my new fave).
I have to say, although I've been a bit of a mess both times I've taken the class (improving every time), I absolutely love it. It's totally different than anything else, which I always welcome and which Lauren is so uncannily good at providing, and it's challenging. It's nice not to have muscle memory for something and have to work hard to get it right. And working hard is what you do. You quake, you shake, you tremble and you WERK IT.
Sometimes a break from CCS is just what the doctor ordered, especially when you're not sacrificing burn or difficulty level (which I never you think you do with grounded classes but more skeptical folks will likely agree with me for B-sides.) I say take a friend and give it a shot, if you haven't already. Sit next to each other. Shoot each other WTF glances, let go, and get into it. I will make this a weekly staple as long as I can, that's for certain.
See you in class!